Common Threads Reviews

Common Threads Articles & Reviews

Harper Lee, 2001
Thank you for the wonderful Common Threads. I do believe that you are a very great American photographer plus Georgia O’Keeffe rolled into one. (O’Keeffe because you have her eye. You paint with film).

Jamie Ellin Forbes, Fine Art Magazine, New York City
Common Threads casts a light on changes in the soul of the South. Almost imperceptible to the casual observer the metamorphous is seen through the ingenious eyes of Chip Cooper and set to tales all can relate to by Kathryn Tucker Windham. We are able to share the universal air of transition, like a rusting over time. As if looking through a common family photo album we are invited to step into the photographs and the human stories regardless of where our memories are rooted and participate in the joy of the experience.

Robert Stevens, TIME Magazine, Associate Photo Editor
FINALLY, a marvelous book about THE SOUTH. A refreshing body of photographs without the clichéd images that are all too familiar. A new and fascinating viewpoint, which will delight all!!!!!
Jeanie Thompson, Executive Director, The Alabama Writers’ Forum
A recipe for any day delight: while you’re alone, feast on the textures and mood of Chip Cooper’s photographs, but when family and friends gather, feed them Windham’s stories of Thurza and other memorable Alabama characters—out loud and with expression!

William Christenberry
Common Threads is a natural—the coming together of two distinctly Southern visions, Kathryn Tucker Windham and Chip Cooper.

Wanda Butler, Southern Living Magazine
Two Alabamians combine their talents to compose a sonnet to the South. . . .These are happy stories. . .and. . .the vibrant images convey a strong sense of place and shimmer with light and color. From a Memphis orchard to stunning Mississippi stained glass, the photos speak in odd, old-time harmony with the tales.

John Shelton Reed, the well-known Southern writer who teaches sociology at the University of North Carolina, contributed the book’s foreword. “Kathryn Tucker Windham and Chip Cooper might seem at first to be unlikely friends,” writes Reed. “One is a lady from the Black Belt, the other a boy from the hill country. One was a child in the 1920s, the other in 1950s. And one is best known as a writer, the other as a photographer.”

“Both tell great stories—one with words, the other with a camera. Most of Windham’s stories are charming recollections of the small town South between World Wars, as seen through the eyes of a happy child. Cooper, on the other hand, documents the presence of an older South, with photos of spider lilies, flowering trees, churches, cemeteries and front porches.”
Update: Windham and Cooper spent time this summer together in France showing their work. “Here we were in France, she showing her photographs and me showing mine, and both of us realized that this was probably one of the most important things we’d ever done. And we did it together and it was going to take us down roads we had never traveled, “ Cooper said.

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Alabama Alumni Magazine
December 2000/January 2001
Common Threads

The book Common Threads includes 15 stories by Kathryn Tucker Windham and is accompanied by photographs from Chip Cooper, an award-winning photographer and director of photography at the University of Alabama.

Windham remembers her life in the rural South, while Cooper’s photographs tell other stories of the region, from the bayous of Louisiana, to the Coastal Carolinas, through Georgia, Alabama, Mississippi, Kentucky, Tennessee and Florida.

Windham’s career has spanned more than 50 years and includes 24 published books. She has written ghost stories, cookbooks, history books, a weekly newspaper column and stories about growing up in Alabama. At 82, she shares her home with the internationally known spirit, Jeffrey.

She was the youngest child in a large family of storytellers and began her writing career reviewing movies for her cousin’s weekly newspaper, in exchange for a pass to the local theater. After graduating from Huntingdon College, Windham became a staff writer for The Alabama Journal in Montgomery, The Birmingham News and later for The Selma Times-Journal. A nationally recognized storyteller, she most recently, in October 2000, was the recipient of the Alabama Humanities Foundation Award. Though not a UA graduate, Windham has deep ties to the University having spent countless hours there visiting and lecturing.

Cooper, who grew up in Huntsville, Alabama, now calls Tuscaloosa home. He has published three previous books, including Silent In the Land, and has shown his work in exhibitions from France to Costa Rica to Washington, D.C. He is a past recipient of an art fellowship from the Alabama State Council on the Arts.

Cooper said Windham’s sense of life and maturity in writing is one of the things that led him to work with her.

“The way that I communicate my art is through my books,” Cooper said. “I needed to find something that would really push the envelope for me and help me grow and help me see things differently.”

He found that in Windham. “She’s our Eudora Welty of Alabama,” he said. “I knew if I could just get with her, that everything I wanted to grow at this point in my career would happen. Anytime I get to spend time with Kathryn is good day. Every time I’m with her it’s like an experience of at lifetime.”

The book got off the ground when Cooper ran into Windham in Birmingham, lat year, after the idea had been kicked around for quite a while.

“She said to me, ‘Chip, I’m 81 years old and I’m running out of time. If we’re gonna do this, let’s do this.”

“I’ve known Chip for a long time,” Windham said. “I knew his photographs would be marvelous. He sees things I don’t see until he shows me.”

Windham said when she and Cooper started the book she “wondered if anything would come of it.” But she is thrilled with the final product.

The writer found inspiration for her stories by visiting Grist State Park about 16 miles outside of Selma. Grist is not very well known and she would go there for peace and tranquility.

She wrote every day at Grist throughout the entire summer of 1999. “Nobody knows that park exists,” Windham said. “I went there every day and took my lunch and my big yellow legal pad and wrote. I would go early in the morning and stay until it closed late in the afternoon. There were no phones, no distractions. It was always cool and shady and there was a pavilion for when it rained."

Unlike Windham, who wrote exactly the 15 stories she needed for the book. Cooper said he started out with more than 1,000 photographs and had to weed down to his favorite ones for the book.

The cover photograph is his favorite. It depicts a casket, a bird and old photograph of a little girl, among other things.

“I like to tell stories with my photos and I thought that one does that,” Cooper said. “That which was lost, that which was buried and that which has come back again.”

“Kathryn is wonderful,” Cooper said. “Just being around her is an inspiration. She is feisty, yet compassionate. She is curious and sees stories and photographs everywhere—very little gets past her. Working with her has fulfilled one of my long time dreams. I can’t begin to tell you how much I have learned from her about the South.”

Cooper said the book’s title Common Threads is like his and Windham’s work, “weaving in and out of each other like a patchwork quilt.”

To make that quilt, Cooper said, other University of Alabama graduates were involved in the collaborative effort including designer Laura Lineberry; attorney and entrepreneur Robert W. Monfore, who funded the project; and Donna Smith, who heads the publishers marketing efforts.

Monfore serves as president of Monfore Group Inc., a management company, was well as having an active local law practice. Lineberry is art director for the Office of Marketing and Communications at the Capstone and Smith is currently vice president of Monføre Group Inc.

Long-time friends, Cooper and Monfore have worked on three previous book projects. CKM Press, the Tuscaloosa-based publishing company, was formed in conjunction with the production of Cooper’s last book. CKM Press is a division of Monfore Group Inc.

“I have been a fan of Kathryn’s for many years. I heard her one day on the radio and could just visualize what she was talking about,” Monfore said. “Some time ago I suggested to Chip that he should consider pursuing a project with Kathryn, but nothing ever happened. When the idea came up again, Chip went to Selma to discuss with her a joint venture. At that point they decided to work together on this book.”

“My work has changed quite a bit in this book,” Cooper said. “If you go back and look at some of my early work I think you’ll see it’s grown quite a bit.

“This is the first product I’ve ever done that I see as a national book.”

And others see it that way, too. In a review of the book Time magazine associate photo editor Robert Stevens writes, “Finally a marvelous book about the South. A refreshing body of photographs without the clichéd images that are all too familiar. A new and fascinating viewpoint that will delight all!”

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